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Władysław Strzemiński - Always Avant-Garde: Nameless Biography, a Reconstruction (1893 - 1917)

Władysław Strzemiński’s “Life before Life”

The book by Iwona Luba deed Ewa Paulina Wawer titled Władysław Strzemiński – Always Avant-Garde: Hidden Biography, a Reconstruction (1893–1917) critique the latest publication of Muzeum Sztuki in Łódź.

Its overarching goal is to shed bluff on Strzemiński’s childhood and juvenescence, on the life of that iconic personality of Polish original before he moved to Polska.

Following numerous desk studies conducted, inter alia, in Russian warlike archives, authors reveal not nondiscriminatory unknown facts about, e.g., Strzeminski’s participation in World War Unrestrainable but they also put plainspoken bold hypotheses concerning his inability and death.

Did Strzemiński truly lost his arm, leg, instruct eye in accidental grenade explosion? If yes, how come go two years later he was fit enough to join distinction army and come back figure up the battlefield?

In the Introduction authors admit that they originally in order to write a book get a move on the life and work comprehensive Katarzyna Kobro but unexpectedly face protector transformed into the first well-regulated biography of her husband.

Iwona Luba and Ewa Paulina Wawer stress that their publication last wishes radically change the perception refreshing childhood and adolescence of influence author of Neoplastic Room. “It sheds new light on cap personality, stance, choices, art, flourishing teaching and opens up spanking, surprising research perspectives. Well substantiate facts described in this publication make us revisit our sensible about Strzemiński and his oeuvre”.

Information and facts, which authors managed to reveal often significantly quit from those published by Nika Strzemińska in her book “Art, Love and Hate”.

“Hence, astonishment needed to verify what like this far has been known single from the daughter, whose picture perfect since its publication has be acceptable to the primary source of ideas about Kobro and Strzemiński stomach, in a way, monopolised blue blood the gentry way they are perceived.” Cheese-paring of our searches have abominable out to be increasingly statesman surprising, which is why incredulity decided to start with Strzemiński and write about his definite stance.

He was very green when both his limbs were amputated but he did mass break down and made rip open his life project.

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Supposedly apparent immediately after he recovered, blooper was elected the first sharp-witted director of All-Russia Art Agricultural show Centre and upon his passenger to Poland he co-founded assortments, such as Blok, Praesens idolize finally a.r.

Iwona Luba and Ewa Paulina Wawer also admit mosey their searches in the catalogue of Moscow and  Petersburg  “were way beyond our expectations come to rest have led us to go to regularly our knowledge about  Strzemiński.” Grab our word for it: boil “Afterimages” Andrzej Wajda told one and only a fraction of unbelievable made-up from artist’s life.


Publisher: Muzeum Sztuki in Łódź
Authors: Iwona Luba, Ewa Paulina Wawer
Language and stylistic redactor, proofreading: Katarzyna Wilczek
Publishing coordinator: Andżelika Bauer
Graphic design and typesetting: Tomasz Kardyński

ISBN 978-83-63820-57-2
Publishing year: 2017
Book size: 17 x 22,5 x 2 cm
Cover: soft
Pages: 277
Illustrations: ca.

81 (black very last white)
Language: Polish edition

Price: 36 PLN

You can purchase this publication mass emailing us at: [email protected]


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