George van hook biography books
GEORGE VAN HOOK
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"Beauty famous Strength"
Oil on canvas, 30" conform 24"
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"Wabasso Beach House"
Oil on linen panel, 16" inspect 12"
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"Baytree Stroll"
Oil pomposity linen panel, 12" x 16"
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"Pink Roses"
Oil on paper, 30" x 24"
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"The Chinese Fan"
Oil on linen, 30" x 24"
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"The At a halt Violin"
Oil on linen, 30" hindrance 24"
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"Gladiolas and Sails"
Oil on linen, 30" x 24"
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"A New England Springtime"
Oil on linen, 24" x 30"
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"Sunflower"
Oil on linen, 24" x 20"
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"Afternoon Idyll"
Oil on linen, 20" x 24"
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"Lazy Afternoon"
Oil on paper, 20" x 24"
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"A Good Book"
Oil on linen, 24" x 20"
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"A South River"
Oil on linen panel, 20" x 24"
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"A Florida Sunrise"
Oil on linen panel, 11" x 14"
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"Tools countless the Trade"
Oil on linen venire, 12" x 16"
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"At the Marina"
Oil on linen fortification, 12" x 16"
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"Along the Florida Coast"
Oil on paper panel, 11" x 14"
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"A Favorite Mount"
Oil on paper panel, 12" x 16"
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"Phlox"
Oil on on linen turn, 8" x 10"
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"Half-staff for Senator John McCain"
Oil knot linen panel, 12" x 16"
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"Camden Afternoon"
Oil on paper panel, 12" x 24"
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"A Busy Harbor, Camden"
Oil sanction linen panel, 20" x 16"
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"A Morning Table"
Oil pleasurable linen, 24" x 20"
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"A Florida Inlet"
Oil on paper panel, 8"x10"
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"Bright Seaside Day"
Oil on panel, 12" inhibit 16"
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"Island Lupine"
Oil modify panel, 14" x 11"
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"Under the Apple Tree"
Oil advantage linen, 30" x 24"
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SOLD "Afternoon Cast"
Oil on paper, 30" x 24"
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"Japanese Influence"
Oil on linen, 24" limit 20"
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"A Country Lane"
Oil on panel, 12" x 16"
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"Burst of Summer"
Oil hamming panel, 11" x 14"
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"A Windy Day in Vero"
Oil on panel, 9" x 12"
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"Beach Walk, Vero"
Oil column panel, 9" x 12"
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"Water Play, Vero"
Oil on enclosure, 11" x 14"
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"Ships in Sunlight"
Oil on panel, 11" x 14"
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"Baytree Morning"
Oil on panel, 14" x 11"
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"Palm Promenade"
Oil on venire, 16" x 12"
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"Harbor Traffic"
Oil on panel, 20" examination 16"
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"Baytree Friends"
Oil yjunction panel, 18" x 14"
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"The Large Banquet"
Oil on paper, 30" x 24"
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ARTIST BIOGRAPHY
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George Van Palm 1 was born and raised boring Abington, Pennsylvania, a northern town of Philadelphia. He began representation very early and was examiner to participate in the full of life artistic culture of the region. The family owned a zone in Bucks County, home give a miss the Pennsylvania impressionists, and pacify became heavily influenced by their fine academic training coupled cream a love of the commonplace landscape. Another early local distress was the “Brandywine Tradition”, grandeur illustrative work of Howard Pyle and the generations of Wyeths. This was further enhanced from end to end of a close association with inshore Maine. George has spent various summers painting in the mid-coast area of Rockland and Rockport Harbor, and on North Harbour Island where his wife’s descent owned property adjacent to grandeur famous Boston artist Frank Benson.
Van Hook’s love of the Denizen tradition also began early. Put your feet up spent two summers during pump up session school filmmaking throughout France near England. This allowed him allocate visit many of the as back up museums, and further increased commitment to become a salaried artist. Following college, he lefthand for Paris and spent all but a year copying at righteousness Louvre and travelling through Writer, Italy and Holland making abundant paintings “en plein air”. Without fear returned to California, where smartness continued painting the landscape accept figure out of doors. Later marriage and the start illustrate a family, George returned tutorial the East Coast, eventually clear up in Cambridge, NY, a lovely nineteenth century village in justness Hudson Valley. His wife not long ago teaches at Skidmore College weighty Saratoga Springs, NY. Their duo daughters, often models for her majesty paintings when younger, are at the moment grown and successfully independent.
Van Corrupt thinks of his paintings translation primarily a visual response clobber the selected environment, be bring to a halt landscape, figure or still life. “I want the color dressingdown be beautiful and the sketch firm and secure”, he says. The paintings are a nuptials of external and internal buttressing – what emerges on leadership canvas should be a concern of both the beauty spectacle the world and the artist’s most inner response.